掌上明珠

單場購票連結

家鄉影像是我目前的創作根源，延續了我上一個短片，依舊是一個發生在重慶的故事，花了大量時間進行田野調查。不悲天憫人、不屈尊俯就、不溫情氾濫、不控訴批判，冷靜不語地照向現實就好。手持攝影，力求塑造骨肉豐滿、認真鮮活的角色表演，真實地展現漂泊在城市邊緣的女性，互相扶持，面對社會的質疑與輕視，倔強而溫柔地守護著彼此與自己內心的光亮。
The imagery of my hometown is the root of my current work. Continuing from my previous short film, this is once again a story set in Chongqing, where I spent a long time doing field research. I am not here to moralize, romanticize, or preach, nor am I looking for pity or to point fingers. I simply want to hold a mirror up to reality, quietly and honestly, without excessive emotion or sentimentality.
Shot handheld, the film leans into raw, grounded performances that bring complex, fully lived-in characters to life. It is a portrait of women living on the margins of the city, supporting one another, navigating judgment and neglect, and holding on, fiercely and gently, to their own inner light.