迷離山海 Drifting
潘志偉 Ateng A’yic
臺灣 Taiwan ｜ 2025 ｜ 紀錄 Doc ｜ 彩色＋黑白 Color, B&W ｜ 15min ｜ 中文、阿美族語 Mandarin, Amis
花蓮阿美族人林松基先生，他的一生意外地映照出台灣的歷史命運。父親擁有日本血統，而他年輕時因政黨強行推動的山林「計劃」，被迫離開原鄉，進入城市謀生。長年鎮日從事駕駛工作，使他無法與子女建立深厚的情感聯繫。即便傾盡一生心血打造的家園，也終將因新的都市計畫而面臨拆遷。最終，子孫因無法回歸山林，只能在城市中求生，卻反而難以與父親維持良好的親子關係。終至，他必須和孤寂持續相處。
Mr. Lin Song-Ji, an Amis man from Hualien, lived a life that mirrors Taiwan’s history. His father was of Japanese descent. As a young man, he was forced to leave his homeland when the government pushed a forestry plan. He moved to the city to survive and spent years working as a driver, which kept him from forming a deep bond with his children. The home he built with his life’s effort now faces demolition due to urban development. His descendants cannot return to the mountains and struggle to survive in the city. Yet, they remain distant from him. In the end, he is left alone.
Director
潘志偉
潘志偉（Ateng A’yic），具噶瑪蘭與阿美族雙重身分，作品散見於公視、大愛電視與原民台。作品曾獲美國芝加哥Blow-up電影節特別提名、屏東電影節首獎，並多次入圍國際民族誌影展、高雄電影節等。
Zhi-Wei PAN (Ateng A’yic) has mixed Kavalan and Amis heritage. His directorial works have been featured on Public Television, Da Ai TV and Indigenous Peoples TV. His work has received a special nomination at the Chicago Blow-up Film Festival and First Prize at the Pingtung Film Festival, and has been selected by the Taiwan International Ethnographic Film Festival and Kaohsiung Film Festival.
11.08 ㊐ 10:50〡台南新光影城 4 廳〡★ Q&A session with the Director
同場放映：《ㄟ跟你說個祕密：斑馬與她的森林》《我只是想再看一次》
第一次在溪州部落拆除現場見到松基爺爺，他獨坐廢墟，握著酒瓶，平靜訴說自己的故事，那身影讓我想起有戰爭創傷的外祖父。三年同行中，我看見松基爺爺的才華、傷痕與孤獨，也看見原住民在階級、家庭與社會夾縫中，長年被認同問題撕扯。這部片的起點，不只是對一位長者生命的凝視，也是我對自身與歷史的追問。我希望透過紀錄，映照原住民失落而迷惘的身分處境，以及台灣至今仍持續追尋認同的困境。
When I first met Grandpa Songji at the demolition site in Xizhou Tribal Village, he was sitting alone among the ruins, holding a bottle and calmly telling his story. His figure reminded me of my grandfather, who carried the trauma of war. Over three years, I witnessed Songji's talent, scars and solitude, and the way Indigenous people have long been torn apart by questions of identity within pressures of class, family and society. Through this documentary, I hope to reflect the loss and disorientation surrounding Indigenous identity, and Taiwan's continuing struggle to seek recognition.
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