月亮上的業餘者
黃邦銓、林君昵
臺灣 Taiwan｜2025｜紀錄 Doc｜彩色 + 黑白 Color + BW｜22 min｜ 日語發音 Japanese
✧2025 高雄電影節
✧2026 台灣國際紀錄片影展
✧2026 法國克萊蒙費宏短片影展實驗單元
吉川速男（1890-1959）是小規格業餘電影草創時期最熱忱的推手，一生著作超過160本，將對影像的愛透過文字與友誼，傳遞至1930年代的無數角落。多年後，在整理收藏時，他無意間翻出年輕時未竟的夢想，那部從未拍成的科幻電影。於是，他再次啟程，踏上尋找「月世界」的旅程，彷彿業餘電影的青春從未遠離過。
YOSHIKAWA Hayao (1890-1959), pioneer of amateur cinema in Asia, authored over 160 books to spread his love for moving images during the 1930s. Years later, he rediscovered a forgotten dream from his youth: to create a sci-fi set on the Moon. Inspired by Fritz Lang’s “Woman in the Moon,” the journey became more than the pursuit of a lost project; it was a return to the spirit of amateur cinema itself.
導演
黃邦銓
林君昵
黃邦銓生於臺灣高雄，畢業於le Fresnoy法國當代藝術中心，作品中常包含三個元素：回憶、旅行與傳統底片。《回程列車》與《去年火車經過的時候》連續兩年獲得法國克萊蒙費宏影展實驗競賽首獎；近年關注臺灣戰前小規格膠卷並成立「木木邦生百代寶貝俱樂部」。
林君昵生於日本，大學就讀成功大學建築系。作品關注歷史空間、記憶及移動等議題。作品《淹煙》入選法國克萊蒙費宏影展，《天亮前的戀愛故事》獲得臺灣國際女性影展銀獎。近年關注臺灣戰前小規格膠卷並成立「木木邦生百代寶貝俱樂部」。
HUANG Pang-Chuan was born in Kaohsiung and graduated from Le Fresnoy. His work blends memory, travel, and analog film. His films Retour and Last Year both won awards at the Clermont-Ferrand Short Film Festival.
Chunni LIN was born in Japan and studied architecture at NCKU. Her film Yen Yen was selected by the Clermont-Ferrand Short Film Festival; Before the Dawn won Silver at WMWFF.
單場購票連結
這是使用已消失近半世紀的9.5mm膠卷拍攝的作品。這款膠卷於百年前誕生，曾掀起一場業餘電影的浪潮，在當時的日本與台灣，湧現無數的俱樂部與同好會。吉川速男正是這場運動中最熱忱的推手，他透過廣闊的人際網絡與著作，推動了「影像民主化」的時代願景。然而，這些由業餘者創作的影像全是以反轉片形式存在，未留下任何複製品，隨著時間流逝而消失。本片以相同的技術與膠卷規格重新拍攝，重新召喚那個曾經閃耀卻被遺忘的黃金年代，讓這段影像史的微光，再次於今日閃爍。
This film was shot entirely on 9.5mm film, a format that has vanished for nearly half a century. First introduced a century ago, 9.5mm film sparked a wave of amateur filmmaking, inspiring the creation of countless cine-clubs across Japan and Taiwan. Yoshikawa Hayao was among the most passionate advocates of this movement; through his wide network of friends and prolific writings, he helped advance a vision of “cinematic democratization.” Yet the works of those early amateurs, created entirely on reversal film, left no duplicates and have since disappeared with time. This film revives that lost spirit, using the same tools, the same format, and the same handmade process, to summon back a forgotten golden age of small-gauge cinema, letting the faint light of film history shimmer once more today.
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