未來考古學
林仕杰、陳君典、盧彥中
臺灣 Taiwan|2026|劇情 Fic|彩色 + 黑白 Color + BW|24 min|中文、法文、臺語發音 Mandarin,French,Taiwanese
✧台灣首映 Taiwan Premiere
✧2026 釜山城際電影節
一名日本女性導演受文豪佐藤春夫筆下的《女誡扇綺談》感召,跨海來到台南一棟洋樓實地取景 。原以為是尋根文藝之作,開鏡過程卻波折不斷 。隨著拍攝工作的推進,一場橫跨百餘年,關於影像、記憶與自我身份的時空追尋就此展開 。
Inspired by the literary classic The Tale of the Lady’s Fan by Haruo Sato, a Japanese female director travels to a historic manor in Tainan for location filming. What begins as a creative pilgrimage to her “spiritual home” soon dissolves into a series of unexpected disruptions on set. As the cameras roll, a century-spanning odyssey of images, memory, and self-discovery begins to unfold.
導演
林仕杰
陳君典
盧彥中
陳君典
1989年生於台北。曾就讀國立台南藝術大學音像紀錄研究所,創作長期關注都市建築與地景變遷,並同時持續進行手工電影的研究與實踐。作品橫跨紀錄片、動畫、實驗、劇情等不設限。曾入選於捷克伊赫拉瓦紀錄片影展、日本山形紀錄片影展、台北電影節、高雄電影節等海內外影展。
林仕杰
電影創作者及藝術家,美國加州藝術學院電影與錄像研究所畢業。常以記憶作為母題,由日常語境中的象徵來探索不同時間維度中的意識,運用聲畫錯位來重組感官經驗。作品《解體概要》及《土星頻道 ((( O ))) 》皆獲金穗獎最佳實驗片。近期多以電影作為原型,連結劇場、音樂、展覽等跨領域創作。
盧彥中
1984年生於台灣嘉義。曾任搖滾樂團吉他手,交響樂團提琴手。喜歡聽故事,喜歡人,喜歡鬼混,喜歡走來走去 。創作以影像與聲音為主,作品多聚焦於本土特色人物、野史,與體制外人物個體之精神狀態。現以台北為基地,拍攝地涵括東亞各國。作品曾選入馬賽國際影展、東京Image Forum影展、台北電影節、高雄電影節等海內外重要影展。
Chun-Tien CHEN
Born in Taipei in 1989, the director studied at the Graduate Institute of Documentary & Film Archiving at Tainan National University of the Arts. His creative practice has long focused on urban architecture and landscape transformation, alongside ongoing research and practice in handmade films. Defying genre boundaries, his works span documentary, animation, experimental, and fiction films, and have been selected for numerous prominent festivals, including the Ji.hlava International Documentary Film Festival, Yamagata International Documentary Film Festival, Taipei Film Festival, and Kaohsiung Film Festival.
This is the director’s second personal animation and the fourth film in his “Architecture/Landscape” series. It delves into personal life experiences and the trauma of participating in social movements, examining the complex interplay between the external forces of activism and the state apparatus.
Shih-Chieh LIN
A filmmaker and artist with an MFA in Film and Video from the California Institute of the Arts. His work often centers on memory as a recurring motif, utilizing everyday symbols to explore consciousness across different temporal dimensions. By employing disjunctions between sound and image, he reconfigures sensory experiences. His films Summary of Disintegration and Saturn Channel ((( O ))) both won Best Experimental Film at the Golden Harvest Awards. Recently, he has used cinema as a prototype to bridge cross-disciplinary creations in theater, music, and exhibitions.
Adiong Lu
Born in 1984 in Chiayi, Taiwan, Lu is a former rock guitarist and orchestral violinist. A lover of storytelling, people, and “”wandering,”” his creative practice focuses on image and sound. His works often highlight local figures, unofficial histories (apocrypha), and the internal psychological states of individuals outside conventional systems. Based in Taipei, his filming spans various East Asian countries. His works have been selected for prestigious international festivals, including FIDMarseille, Image Forum Festival (Tokyo), Taipei Film Festival, and Kaohsiung Film Festival.
單場購票連結
當對於生活的熱情與時空共振,電影便成了人類跨越生死的記憶物質。本片不僅梳理主要角色在三段時空中的糾葛,更試圖將動態影像的發展史揉雜其中——從當代電影工業實踐過程出發,回溯至傳統膠卷的拍攝,並更進一步將方興未艾的 AI 生成技術納入美學實踐。全片以三段故事建構,分別對應不同導演所擅長的藝術表達,構築出一段橫跨百年的三部曲結構。
When passion for life resonates with time and space, cinema becomes a "memory matter" for humanity to transcend life and death. This film not only unravels the entanglements of the main characters across three different eras but also attempts to weave the history of moving images into its narrative. Starting from the practical processes of the contemporary film industry, it traces back to traditional celluloid filmmaking and further integrates the burgeoning field of AI generative technology into its aesthetic practice. Structured around three distinct stories that correspond to the artistic expressions of different directors, the film constructs a trilogy spanning over a century.
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