一生二命
陳冠君
臺灣 Taiwan｜2026｜紀錄 Doc｜彩色 Color ｜75 min｜中文發音 Mandarin
✧2026 桃園電影獎 最佳影片
✧2026 馬德里同志驕傲月同志電影節
✧2026 台灣國際女性影展
年少的Birdy就像一隻還在學飛的幼鳥，需要來自家庭的哺育，卻不想長成家族期待的樣子。
「我要改名、做平胸手術、賀爾蒙治療！」這幾乎是他迷惘的二十歲人生裡最確定的事。
「但如果我變成另一個樣子，要怎麼面對他們？」這份恐懼逼得他想製造假死。
「如果讓家人以為自己已經死去，是不是就能以全新的身份重新開始？」
這是一部關於青春的成長紀錄片，陪著主角穿過無數念頭與掙扎，看見一段人生裂開、成長、再次成為自己的旅程。
When Birdy was young, he was like a fledgling still learning how to fly. He needed care and nurturing from his family to grow strong, yet he didn’t want to grow into the person his family expected him to be.
Second Round is a coming-of-age documentary that intertwines Birdy’s gender transition with his inner emotional transformation—pulling back, pushing back, confusion, courage, fear, anxiety, and taking one last all-in gamble. We walk alongside Birdy through countless thoughts and struggles, witnessing a life crack open, grow, and ultimately find its way back to itself.
When Birdy was young, he was like a fledgling still learning how to fly. He needed care and nurturing from his family to grow strong, yet he didn’t want to grow into the person his family expected him to be.
Second Round is a coming-of-age documentary that intertwines Birdy’s gender transition with his inner emotional transformation—pulling back, pushing back, confusion, courage, fear, anxiety, and taking one last all-in gamble. We walk alongside Birdy through countless thoughts and struggles, witnessing a life crack open, grow, and ultimately find its way back to itself.
導演
陳冠君
陳冠君，紀實影像剪輯師出身，相信紀錄片是一種承載時間的容器，認為紀錄者不只是觀看,更是一種存在與陪伴。《一生二命》是她的首部紀錄長片,關於她如何陪伴一位跨性別青少年從女孩長成男人。
CHEN Kuan-chun is a documentary editor-turned-filmmaker who sees documentary as a vessel of time. Second Round, her first feature, follows her long-term accompaniment of a transgender youth growing into manhood.
單場購票連結
每次我說在拍跨性別題材，總有人以為這是關於弱勢，但我從不這樣看 Birdy。他耀眼、矛盾、固執、孤單，也充滿渴望，我看到的是一個努力長大的年輕人。這不是一部關於性別議題的電影，而是關於一個人想要成為的自己跟父母期待的不一樣時，如何堅決地選擇自己。四年來，我不是旁觀者，而是陪伴在他身邊，經歷手術、傾聽與成長。我相信紀錄片不只是觀看，敘事上也希望能跳脫科普，帶觀眾走進主角的生命，跟著他一起慢慢成長。
Whenever I mention that I’m making a film about transgender issues, people often assume it is about marginalized groups. But I have never seen Birdy that way. He is radiant, conflicted, stubborn, lonely, and full of desire—I see someone trying to grow up. This is not a film about gender issues, but about what it means to choose who you are when that choice conflicts with your parents’ expectations. Over four years, I have not been an observer, but a companion—witnessing his surgeries, listening, and growing alongside him. I believe documentary is not only about observing, but about accompanying. In form, I hope to move beyond explanation and invite the audience into his life, allowing them to grow with him.
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