虎爺
何郁琦
臺灣 Taiwan｜2025｜實驗 Exp｜彩色 + 黑白 Color + BW｜28 min｜華語發音
✧2025 洄瀾美展 當代藝術創作類 優選
✧2026 金穗獎
✧2026 巴基斯坦甘達拉獨立電影節
「虎爺」計畫始於藝術家2021年在花蓮慈恩藝村駐村期間。當時，從一位阿美族巫師口中得知，該機構內一尊老虎水泥雕像被靈魂附身。
這段經歷啟發藝術家探索漢民間信仰與阿美族精神世界觀的交會，並由此進一步探討台灣東部原住民信仰在殖民和宗教迫害下被壓制的歷史。
The Tiger God project was launched during the artist’s residence at Hualien’s Cien Art Village in 2021, when he heard from a Sikawasay (an Amis priest) that a concrete tiger figure in the institute was possessed by a soul. This experience has inspired her to explore the intersection of the Han people’s folk beliefs and the Amis people’s spiritual worldview, from which he further investigates the suppressed history of indigenous beliefs in Eastern Taiwan under colonial and religious persecution.
導演
何郁琦
何郁琦，畢業於國立臺南藝術大學音像紀錄所（紀錄片製作組）。
近年以駐村作為工作方法，調查研究和紀錄對象多為臺灣沿海、離島、山海部落間的勞動者、無家者及歷史幽靈，透過創作思辨著人與環境的交換價值。
Yu-Chi He graduated from the Graduate Institute of Documentary and Film Archiving at the Tainan National University of the Arts, majoring in documentary production. In recent years, he has been investigating, studying, and recording the lives of workers, the homeless, and historical ghosts in Taiwan’s coastal areas, outlying islands, and mountain and coastal tribes as an artist-in-residence. He thinks critically about the human-environment relationships through art creations.
單場購票連結
作品以影像、儀式與調研交織，探問歷史如何書寫，並在沉默物件與夜色中，尋找另一種觀看與敘事的可能。
The fireworks were shot at night, representing the impact of external forces on the land, providing a reflection on the connections among concrete animals, mining exports, and colonial imagination. The concrete tiger figures were jointly made by a Sikasaway, an elder, and the artist. The tiger figures were placed at the depth of the field, sending a message of "not becoming a historical landmark." The ritual opera at the end of the film embodies the ritual's spirit by returning the footage to the land and the gods. This piece incorporates footage, a ritual, investigation, and research, exploring the way to tell the history and other possibilities of viewing and narrating among silent objects and in the night.
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