家庭公寓
李新傑
香港Hong Kong|2025|實驗 Exp|彩色 + 黑白 Color + BW|43 min|無對白
✧臺灣首映 Taiwan Premiere
✧2026 首爾實驗電影與錄像影展 最佳EXiS獎
《家庭公寓》提出另一種用影像書寫空間的方式。作品記錄一個居住了三十年的居所,位於香港的公共屋邨富山邨。樓宇採用舊式長型中央走廊式大廈設計:外形成一直線,內部以一條走廊貫穿34戶。
作品以16米釐菲林拍攝,分七個章節,以空間主導的拍攝模式去記錄樓宇結構、環境變更及家庭遷離經過。鏡頭從屋邨裏的公共空間遊走到室內單位,時而又從遠處眺望找尋家。《家庭公寓》不僅是對城市房屋的記錄,還是對一個家庭的節錄。
Old Slab proposes an alternative approach to document space. The film chronicles a dwelling of thirty years in Fu Shan Estate, a public housing estate in Hong Kong. The residential block adopts the style of ‘Old Slab’, where the building is an elongated rectangular structure with 34 flats internally connected by a single corridor.
Shot on 16mm film, the seven chapters of the work unfold under a spatial-driven mode of documentation to capture building structures, environmental changes, and a family’s process of vacating their home. The camera drifts from the communal spaces of the estate into the confines of a flat, occasionally shifting its standing afar in search of home. Old Slab records urban housing, domestic space, and remembers a defining frame of a family’s history.
導演
李新傑
李新傑(生於1994年,香港)以影像為主要藝術媒介,同時亦創作實驗電影。他的作品探索攝影的本質:機器存在於他的影像之內,在可視的圖層上重新構成平日隱沒於攝影習慣中的意圖,並體現出過程所應用的邏輯。透過機器的介入,他的拍攝對像與紀錄的過程變得密不可分。他的作品包括16米釐底片、攝影、影片、裝置、等等。
LI San-Kit (b.1994, Hong Kong) is an experimental filmmaker and a photo-based artist. His practice brings the machine into the periphery of the image, reestablishing a visible layer which preserves the intent of image-making and embodies an application of rationale. With machine as the agent, the photographed subject binds closely to the documentation process. His work takes the form of 16mm film, photography, video, installation and photo-objects.
單場購票連結
在搬離陪伴自己長大的老家前,必須為這個空間留下完整的記錄。《家庭公寓》捕捉了這座大廈的離奇改變,以及屋邨旁獨特的城市規劃。裏頭放進了許多凝視,去多看一眼,又或是到一個從未到過的角度,重新再看一遍。
Before moving out of my childhood home, I felt an urgency to document the space. The building itself was undergoing bizarre transformations, situated within unique urban planning. Old Slab gives it one last look, or to see it in newly encountered perspectives.
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