劇情片

石碇的夏天 Summer, Dream
Taiwan / 2001 / 16mm / Color / 60mins
導演 / 鄭有傑
Director / Cheng, Yu-chieh

第三十八屆金馬獎 最佳創作短片
第三十八屆金馬獎入圍 最佳女配角(李秀)
2002台北電影節 最佳劇情片 / 新進演員獎(黃健瑋)

＜影片簡介＞ Synopsis
大學生小志的夢想是出國遊學，在異鄉發生一段異國戀情。
那一年的暑假，他原本已計劃好出國遊學，卻因受到台灣的經濟蕭條影響，只好被迫放棄這美好的計劃，留在他的老家石碇。正在他沮喪著必須要和年老的祖母守著雜貨店，渡過這漫長的暑假時。他家卻來了一個教英文的的西方女孩Elisa。
於是這年的暑假，小志和兩個女人---年老的祖母和遠方來的女孩Elisa，在同一個屋簷下渡過。

College student Hsiao-chih has been dreaming of studying abroad and having foreign affairs. His plan to fulfill this dream in the summer is, however, discouraged by economic down turn in Taiwan. Just as he feels depressed about the need to spend a long summer back home, taking care of the old grandma and her grocery store, here comes a Western girl named Elisa.
One thing leads to another, Hsiao-chih and two women – old grandma and Elisa a girl from afar – spend a whole summer under the same roof.

鄭有傑
Cheng, Yu-chieh
1977年生於台南市。
電影、工商簡介、MTV 之導演。曾擔任多部電影短片之助導場記、演員及攝影助理。現就讀於台大經濟系
Born 1977 in Taiwan. He is now a senior studying Economics at the National Taiwan University. He directed two short films: Babyface and Summer, Dream. He is also an actor and has been involved in many independent and student films. Moreover, he has experiences as being cameramen assistant, assistant director, boom operator in many independent films, TV commercials, and music videos.
 
 

 

狂舞憂鬱 Blue Plague
Taiwan / 2001 / 16mm / Color / 86mins
導演 / 林泰州
Director / LIN Tay-jou

2002年新加坡亞洲電視技術與創新獎最佳攝影獎佳作
2002年義大利威尼斯影展未來電影學會首部長片獎
2002年電視金鐘獎最佳音效獎 / 剪輯獎入圍
2002 Asian Television Technical & Creative Awards, Singapore
2002 First Feature Award, Venice Film Festival, Italy
2002 Best Sound Design Award, Golden Bell TV Award

＜影片簡介＞ Synopsis
2001年冷冽而疏離的台北街頭，一個空姐，一個畫家，和一個少女，經由生命中一連串不經意的巧合，他們擦身而過，彼此交錯，彷彿沒有開始也註定沒有結束。
空姐藉著不斷偷竊來進行一場名之為「人性實驗」的試煉，她總是戴著藍色眼鏡，表情冷漠地穿梭台北街頭、捷運站、便利商店、天橋、咖啡廳，把偷來的東西一一貼上編號標籤，而這些看似無關連的物件，卻串起了台北都會角落那些孤寂靈魂的生命切片。

The time is the winter of 2001. As different lives cross carelessly, slowly spread through Taipei. To achieve her ‘Experiment on Humanity,’ Cindy, a stewardess began her ground duty as a pickpocket; collecting samples for her experiments. She stole not only Andy’s Diary but also Gigi’s love story...
However, a phone call made Hsieh, an artist, to become Cindy’s one-day lover. Following the music, the CD turns continuously; a Blue Plague has started to spread in the city of Taipei.

林泰州
LIN Tay-jou
英國愛丁堡勒匹爾大學蘇格蘭電影學院電影電視製作碩士。現任國立雲林科技大學視覺傳達設計系專任講師。作品有【我不說話】紀錄片（2002）、【狂舞憂鬱】劇情片 (2001)、【集集大怪獸】紀錄片 (2000)、【一張紙鈔】實驗劇情片 (2000)、【獻給自己的作品】實驗片 (1999)、【潮聲】劇情片1997、【夢中風景】實驗劇情片 (1996)、【定影相片】實驗片 (1994)、【光影圖騰】實驗片 (1993)、【顯影】動畫片 (1990)。
LIN Tay-jou was born in Tainan, Taiwan in 1968. Being one of the most outstanding independent filmmakers in Taiwan, LIN started out in fine arts and later completed many stylish short films. Shortly after LIN earned an MSc Degree in Film and TV Production in the UK, he returned to Taiwan and became a full-time lecturer at the National Yunlin University of Science and Technology in 1997.
DIRECTOR'S FILMOGRAPHY
Develop (1990), Icy Icons (1993), Afterimage (1994), Landscapes in the Dream (1996), Waves (1997), A Piece of Work for Myself (1999), Chichi, the Monster (2000), The Money that Kills (2000), I Don’t Talk (2002)

 

家常便飯 Dinners
Taiwan / 2001 / 16mm / Color / 60mins
導演 / 葉斯光

2001 金馬影展最佳短片 入圍
2002金穗獎 優等短片獎

＜影片簡介＞ Synopsis
故事從一個家庭的悲劇開始，每當過年時，這一家人的小孩就必須趕場吃兩次的年夜團圓飯，有一年他們終於不必為了趕場及必要的說謊而傷腦筋，但卻帶來深沉的悲痛。當年阿爸生病不久人世時，原來哥哥好意想用欺騙的方式叫媽媽來看阿爸，好讓阿爸的病情因此好轉。 而阿爸滿心期待並且向阿光表示他想要原諒媽媽，好讓一家能團圓時，阿光卻感覺到阿爸的軟落與背叛，而當面說穿阿亮美意的謊言，也因為這句實話而粉碎了阿爸所僅存的願望。 阿爸去世了。阿光才漸漸意識到對爸爸永無彌補的愧疚和遺憾。

葉斯光
1970年3月20日生於苗栗。1995作品【吃飯】入圍比利時影展、亞太影展、金穗獎最佳實驗短片，1997年拍攝【上帝得意的笑】獲台北電影節佳作、入圍金馬獎。
 

 

綠色玫瑰 Green Rose
Taiwan / 2002 / 35mm / Color / 12mins
導演 / 洪維健
Director / JC Hung

2002金穗獎 優等短片獎
2002釜山國際影展 Wide Angle單元

＜影片簡介＞ Synopsis
這個短片，是根據1981年真實的陳文成博士命案所發展出來的另一個故事。或許，誠如前安全局長說的，陳文成博士命案，只是一個情殺案。但是，認識陳文成博士的人都說，這是胡說八道。一個簡單的政治謀殺，卻變成一個愛情故事，是一種趣味，也是一種諷刺。
綠色玫瑰，代表一個希罕的過去。綠色，代表一個全新的政治局面。可是，過去的命案，還是沒有答案。亡魂唏噓不已，走過從前。他的眼底，看到了以前，現在，還有未來。但是，他的女人，還在等待更多的將來。

Based on a true incident, in 1981.
A man who loved his native homeland, Taiwan, and finally lost his life in a murderous tragedy.
The circumstances of his death were clouded and contradictory as portrayed by the authorities in Taiwan.
No clear facts could be obtained.
This is a story about the human rights for the Taiwanese people.

洪維健
JC Hung
中興大學植物病理系畢業。曾任中國時報綜藝主編、聯合晚報影視主編、中央電影公司企劃組長、全民開講製作人、大成報影劇主編。以及電影【孤戀花】【傲空神鷹】【南京1937】【天公金】【蜜蜂】編劇、紀錄片【綠色玫瑰】編導。
　



 

挖洞人 The rule of the game
Taiwan / 2001 / 35mm / Color / 103mins
導演 / 何平
演員 / 張世、夏靖庭、倪敏然、程秀瑛、李天柱、辜容高
director / Ho Ping

德國柏林影展 唐吉訶德獎
法國杜維爾影展 最佳編劇獎
亞太影展 陪審團特別獎 / 最佳剪輯獎 / 最佳新人獎
The 52nd Berlin International Film Festival，Don Quixote Prize Of The Internationa Federation Of Film Societies.
The 4th Festival du Film Asiatique de Deauville，The Best Screenplay Award
The 47th Asia Pacific Film Festival，The Special Jury Prize / The Best Young Actress / The Best Editing

＜影片簡介＞ Synopsis
小鞠和烏龜是多年好友，烏龜家裡有點錢，傻頭傻腦的一副少爺脾氣；小鞠則是個邋裡邋遢的傢伙，滿嘴髒話，卻偏愛看書。
烏龜被小伍騙了八百萬，氣憤在心，小鞠自告奮勇，要幫他把小伍幹掉，烏龜不敢，但小鞠說殺人一點都不難，只要先把洞挖好，讓警察找不到屍體，便永遠不會出事，但他們卻從此陰錯陽差地陷入一陣混亂。


何平
Ho Ping
(1997) (Rotterdam/Toronto)
1997捉姦Motel Erotica(多倫多/鹿特丹影展)
1997國道封閉Wolves Cry Under The Moon(柏林/倫敦/多倫多/芝加哥/福岡/新加坡(金馬獎八項提名，獲最佳導演)
1993 18 (柏林/鹿特丹/芝加哥/San Sebastian/Thessaloniki - FIPRESCI/
入圍金馬獎六項提名)
1990 感恩歲月Honor Thy Father (Paris/Selected for the "Best Taiwanese Films in 80s" by France)
陰間響馬The Digger (1988) (Washington/Dallas/Taiwan – 評審團特別獎Special Jury Award)
 

 

愛我在今宵　Love me tonight
Taiwan / 2001 / 16mm / Color / 60mins
導演 / 曾文俊
Director / Jim Tzeng

2002台北電影節市民影展
2002金穗獎優等短片


＜影片簡介＞ Synopsis
台北林森北路某大廈內三段異鄉人迥異的情愛故事。
這一夜，他們都寂寞難耐，一場偷情的意外事件串起他們的命運，並接連引發起一連串荒謬的情色喜劇。

曾文俊
Jim Tzeng
1976生於台北，世新大學廣電系畢，台南藝術學院音像藝術管理研究所。大學時期即開始創作電影劇本與拍攝16mm的劇情短片，擔任過廣告製片與電影助導。畢業後即開始進行第一部獨立製片作品《愛我在今宵》的拍攝，目前正積極籌備台北三部曲之二《異度東區》。其他作品有【嘿！你到過忠孝東路沒】（1998）
 

 

夢幻部落 Somewhere Over the Dreamland
Taiwan / 2002 / Betacam / Color / 92mins
導演 / 鄭文堂
Director / CHENG Wen-Tang

2002年威尼斯影展『國際影評人週』最佳影片
The International Critics' Week Award of the Venice Film Festival(2002)
第三十九屆金馬獎 年度最佳台灣電影 / 最佳原創電影音樂

＜影片簡介＞ Synopsis
宿醉的泰雅族中年，瓦旦在清晨的陽光下，看到郵差天使丟給他一封信，信上說他的皮夾被發現埋在一個水泥塊裡面。這讓他在每一次的酒後，總要帶著迷濛的眼神望著遙遠的他方，年輕時候的夢想就像那一封長了翅膀的信飛到他的面前，他決定到都市去找回他十年前就失落的皮夾與他的小米田的夢。
在日本料理店工作的青年小莫，過著他頹廢卻自覺失落的生活，白天滿口日語與生魚片，夜晚來臨就窩在都市邊緣的電話交友中心尋找他的臨時伴侶，只要性而不要愛情的伴侶。有一次在電話交友中心，他接了一通奇特的電話，一個要求別人聽她講故事的女孩，帶著些微哀傷的語調，女孩跟小莫說了一個故事，一個關於小米田的愛情故事……。
A postman tossed a letter to Watan, as the middle-aged Atayal man, bathing in the sunshine of the early morning, was still sound asleep in a hangover. The letter about the discovery of his wallet buried in the cement fell on Watan’s face, just like the droppings of a bird. Watan belongs to one of the aboriginal tribes on the island of Formosa. From then on, whenever he had some wine, the letter, as if in the form of Pegasus, would come to his mind unexpectedly. Then, the light of his eyes would soon be dimmed in the distant search for the dream of his young days. He decided to go back to the city for the wallet he lost ten years ago, as well as for his dream of the field of millet.
Xiao Mo was a young man working in a Japanese restaurant. He was leading a decadent life and self-consciously knew that he was lost. In the daytime, his mouth bulged with Japanese language and sashimi. At night, he was hanging around in the cabarets bordering the margins of the city, making phone calls seeking one-night stands. Until one night, he received a weird phone call from a girl, who, whispering in a little bit sad tone, asked him to listen to her story, a love story about a field of millet…

鄭文堂
CHENG Wen-Tang
文化大學戲劇系影劇組畢業。做過場記、副導、製片、編劇、導演。作品有：1996
年電影【藍月】製片、1996年劇本【詩人與阿德】獲選優良劇本、1998年 編導
電視電影【蘭陽溪少年】、1998年劇本【明信片】獲一百萬短片輔導金、1999年
電視電影【濁水溪的契約】、1999年編導短片【明信片】、2000年編導電視電影
【浮華淡水】、2002年電影【夢幻部落】。
Born in I-lan County of northeastern Taiwan. After graduating from the university in 1982, Wen-Tang started his career in the film industry as a script writer and assistant director, and produced various TV drama series and commercial films.
His screenplay, The Poet and A-De, won an award from the Government Information Bureau in 1996. Later on, Director Wan Jan adapted the screenplay into a film, Connection by Fate. Persistent in his concern for the aborigines, in 1998 Wen-Tang produced his first film on the subject, Postcard, a short film with 16 mm, which won the Special Award of “1999 Taipei Films Festival.” In 2000, he made Vanity Fair of Tan-Sui for a Public Television Station, marking the conclusion of his TV river trilogy. His latest released 35 mm film, Somewhere Over the Dreamland (2002), witnesses his transformation from the ethnographic documentary style to drama.
 

 

五十塊錢 ＄50

Taiwan / 2002 / 16mm / Color / mins
導演 / 翁瑞鴻

九十一年度廣電基金大學學院廣播電視節目製作競賽戲劇類 第一名 / 技術獎

＜影片簡介＞ Synopsis

這一天，父親富貴因為遺失了五十塊錢而無法購買車票，情急之下竟然...;健民則意外撿獲了五十元，在學校裡整個心思都繞著如何使用這筆「大錢」，是要拾金不味換來獎勵，還是要用於父親的生日；同時，母親秀如因故離家一人在外辛勞工作，但心中掛念不下的還是家中的一切。不同的一天串起了三個人彼此的生活，呈現出最真實熟悉的親情；相同的一張五十塊錢紙幣傳遞了個人的情感，交流著最不易表達的愛，這些都是記憶中最不經意卻是最深刻的點點滴滴。

翁瑞鴻

曾任多部短片及MTV攝影、剪接、製片，導演作品【五十塊錢】，劇本作品【迷情】，現為國立台南藝術學院音像藝術管理研究所研究生。
   

 

那年夏天的浪聲 Voices of Waves

Taiwan / 2002 / 16mm / Color / 60mins
導演 / 陳秀玉
Director / Lisa Chen

2002年金馬獎最佳創作短片 入圍
Nominated for Best Short Films by 2002 Golden Horse Award

＜影片簡介＞ Synopsis

夏天的浪聲是故事的開始，是牽引，也是結束。
小莉一直生活在一般人認為的正常的軌道中。從學校畢業進入社會，兢競業業的維繫著一份工作；總是找好下一份工作，才敢辭去現有的。但這次不同，辭去工作後，她不知道下一步該往哪裡走只是一昧的想改變現有的生活狀態，但那會是什麼？小莉也不知道。男友提出結婚的想法，但是不想工作並不代表就該選擇進入婚姻生活的狀態。
夜晚夢裏的海岸，浪聲不斷拍打……一種多年前的思緒藉著夢境漸漸地重新被醞釀、膨脹、不受限制地發展、壯大。
究竟夢裏的浪聲，牽引著什麼？

Man-Li always lives in the normal track as everybody considers. After graduating from school to society, she keeps each job with caution and fear. Unless she finds a new job, she won’t quit the current one easily. This time is quite different. She resigned and had no idea what to do next. She just thought to make a change of her lifestyle. However, what will it look like? She doesn’t know either. Her boyfriend proposed the thought of getting married. She doesn’t feel like working but it doesn’t necessarily mean that she has to choose marriage.
Waves kept patting the seashore of the night dream……a feeling was gradually brewed, swelled, unlimitedly developed and grew in strength!
What does the voice of waves in the dream draw on earth?


陳秀玉
Lisa Chen
曾任多年製片、監製工作。86年轉任副導；88年轉為導演，並到紐約NYU學校，學習導演課程。89年參與李崗導演之公視金鐘劇【情人的眼淚】美術（入圍金鐘獎最佳美術指導）；90年參與易智言導演之【藍色大門】副導；91年編導公視人生劇展【那年夏天的浪聲】16mm電視電影單元劇。
1997 Turning into the position of an assistant director.
1999 Turning into the position of Director and going abroad to further study of Directing Film, Video & Broadcasting at New York University in USA.
2000 Participating in Lee, Khan’s Golden Bell Drama called “Tears of Lover” which showed in PSTV and serving as an Art Director.
2001 Directing “Voice of Waves” and selected by the Public Service TV for one of the best scriptwriting in the competition of Life Drama Exhibition. Participating in Yee, Chin Yen’s Movie called “Blue Gate” and serving as an Assistant Director.

　
 

 

殺人計劃 My Whispering Plan

Taiwan / 2002 / 35mm / Color / 146mins
導演 / 瞿友寧
Director / Chu,Yu-Ning

＜影片簡介＞ Synopsis
閉塞平凡的珍，與陽光美少女晴是無話不說的好同學，彼此分享心中的秘密，兩人有著緊閉不容分割的感情。但珍佔有慾強的友誼、晴好奇活潑的個性，和一個游民的介入，讓珍的偏執濃縮在一本充滿往事與恨意的傳話本裡。背叛、親暱、接近、逃離，這個由兩名少女用漫畫、角色扮演構築的炫目且華麗的幻想世界究竟該如何繼續？

瞿友寧
Chu,Yu-Ning
電影作品有【街頭石子】（1995）、【假面超人】（1996）、【殺人計劃】（2002）(88
年新聞局優良劇本；90年電影輔導金正選)，另有多部電視、表演、與舞台創作
作品，亦為廣告及MTV導演、自由撰稿人，公視形象廣告【蛋蛋的日記】入圍90年金鐘獎廣告獎。

　
   

 

好郁 Let’s Love Hong Kong

Hong Kong / 2002 / 35mm / Color/ 87mins
導演 / 游靜
Director / Yau Ching

葡萄牙費加拿霍斯電影節 劇情片大獎
Grand Prize for Fiction, the 31st Figueira da Foz International Film Festival.

＜影片簡介＞ Synopsis
一個亦真亦假的香港，四名實實在在的女子之間疑幻亦真的性愛 / 感情。當空間愈來愈少，我們愈來愈窮，科技愈來愈快，溝通愈來愈難，我們如何表達慾望與愛？Zero不斷做工又轉工、陳國產有口難言、Nicole只享受電腦玩伴、阿姐最知道自己要什麼。透過四名女子相互的跟蹤、挑逗、嬉戲與拒絕，是否可以看到一個離我們並不太遠的香港？【好郁】是一個描繪未來的香港，當中的慾望、愛、科技與身體的故事。
Three women chase, seduce, resist and fantasized about each other. A Hong Kong that is as fake as real provides the perfect setting for their games, secrets, screams and tears.

游靜
Yau Ching
香港出生。香港大學比較文學系畢業，紐約社會研究新校媒體理論碩士，倫敦大學黃家可露威學院媒體系博士。曾於紐約電視台工作、任教於視覺藝術學院、加大聖地牙哥學院及密西根大學，現為香港大學設計學院助理教授。著有詩集【不可能的家】，電影及錄像作品包括【你有什麼特別的要我告訴你？】（1993）、【流】（1993）、【錄像書簡】（1993）、【另起爐灶之耳仔痛】（1997）、【我餓】（1999）、【白雪仙的妹妹】（2000）、【搵自己】（2000）等。【好郁】為她的首部劇情長片。

Yau Ching was born in Hong Kong in 1966. She received her BA in Comparative literature and Philosophy from the University of Hong Kong. MA in Media Studies from the New School University in New York and PhD in Media Arts at Royal Holloway, University of London. A graduate of the Whitney Independent Study Studio Art Program in New York and an award-winning filmmaker, video artist and writer, she is currently Assistant Professor at the School of Design of the Hong Kong Polytechnic University. Ho Yuk – Let’s Love Hong kong is her debut feature film.