我的朋友陳看看

張野姣、李蘄高

中國 China|2025|動畫 Ani|彩色 + 黑白 Color + BW|16 min|中文發音 Mandarin

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我,35歲,足不出戶。每日,我透過房間裡的一個小洞窺探隔壁鄰居陳看看,觀察他的一舉一動。然而這種平靜被一隻從夢中飛出的蒼蠅攪亂,我的現實開始崩毀,更可怕的是,被壓抑在回憶中的童年秘密逐漸浮現……

Every day, I peep at my neighbor, Kankan, through a small hole in my room. I enjoy this harmless hobby, as if he is living a life for me. However, after an unexpected nightmare, the reality around me starts to crumble. What’s more frightening is the haunting truth that I now have to confront.

導演

張野姣

李蘄高

张野姣,美國巴德學院藝術碩士,創作領域包括視覺、影像與文字。從最初的攝影和自出版,到後來的裝置和動態影像、定格動畫,張野姣在這個過程中漸漸糅合了多重表達媒介,建構起一個既能關照自身、也能體察周圍變化的藝術小世界。其影像作品被選入2021年紐約A.I.R.畫廊雙年展,並在Mana當代文化中心、國際攝影中心、紐約動態影像博物館等國內外畫廊展出。她曾獲2018年法國圖盧茲MAP攝影節大獎,入選2018年三影堂攝影獎、2017年PDN Exposure攝影獎。

李蕲高,美國巴德學院藝術碩士。他的創作主要運用影音與裝置,從日常現象的結構探索人的心靈機制與行為的巡迴與演變。

Hana Zhang is a visual artist, filmmaker and writer in Shanghai. From her early work in photography and self-publishing to later ventures in installations, moving images, and stop-motion animation, Hana has gradually integrated multiple expressive media in this process, constructing an artistic microcosm that both reflects on herself and observes the changes around her.She is a member of the Aardman Academy in the UK. She is also a winner of CFDG Young Director Support program in 2022.

Eugene Lee, primarily focuses on audio-visual projects and installations, explores the intangibles of fleeting emotions through his works.

11.03  ㊐ 15:30 〡永成戲院〡免費入場
11.11  ㊀ 15:30〡台南新光影城 4 廳〡 影人座談
同場放映:《直到我看見彼岸》《回收場的夏天》
購票連結
11.08  ㊄ 19:50〡台南新光影城 4 廳〡動畫馬拉松
購票連結

破碎肖像的來回凝視構築出如鯁在喉的秘密;本片精良設計,將多年搬演的話語濃縮成五分半的低語呢喃,短促且極具力量。是位未來無法忽視的動畫創作者。

如果我們日復一日地想念一個已經過世的人,他會不會因此重新擁有一段新的生命?
30歲之後,我發現回憶對我產生了越來越強的勾連,甚至那些我以為自己早就已經忘記了的事和人、童年經歷的某些片段,也開始以異常清晰的畫面出現在我的眼前。 《我的朋友陳看看》就是在這個時候出現的。

The story starts with a question I’ve been wrestling for quite some time: Can someone who has passed away branch out another span of life if we preserve them in our minds day after day?
Sometimes, snippets of my childhood that I thought I had forgotten strike me in the most unexpected way. I began to realize that memories were increasingly tethered to who I am today, even those things and people I thought I had long forgotten. That was when the character “Kankan” came into my life.

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