After the Riots, Before the Liberation

Chung Hong IU

Hong Kong〡2020〡Exp〡15min〡Color, BW〡Cantonese〡English Subtitle

2019, in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…

Director

Chung Hong IU

Chung Hong IU is an independent film director based in Hong Kong. He graduated from the Chinese University of Hong Kong. He worked in a NGO, Civil Human Rights Front. He has a vocation for social movement and film-making. He is also an amateur photographer. His photography works were exhibited in numbers of galleries in Asia and Europe.

一位青年與香港運動現場中證物的對話,以劉以鬯《動亂》為文本,致敬高達或是安妮華達的六八精神,冷靜自持的辯證中有堅定與動人的溫度。

主持人|藝術總監/黃柏喬
與談人|《暴動之後,光復之前》姚仲匡

EP.6 剪黏批判的漫遊者〡專訪《暴動之後,光復之前》導演姚仲匡

藝術總監.黃柏喬〡31min〡12 SEP 2020

《暴動之後,光復之前》讓城市景物作為第一敘述者,黑白照與粵語對話交互辯證,睹物思人心,以反思角度觀看反送中運動的軌跡。香港導演姚仲匡說,本片提到維多利亞港被水砲車的水染藍,看似是種反諷的幽默:「其實維多利亞港原本是很臭的,現在則變藍了;但是這種幽默,對我們來說是沉重的、一種傷痛來的。」

在每一集「南方甘啊捏」結尾,我們都會詢問導演,如果吃下一顆萬能的「奇幻藥丸」,希望能夠改變什麼事,姚仲匡的回答,則是令人意想不到的……

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