浮游物
薛文碩
臺灣 Taiwan|2024|劇情 Fic|彩色 Color|16 min|中文、他加祿語、越南語發音Mandarin,Tagalog,Vietnamese
✧2025 溫哥華國際電影節
✧2025 柏林國際短片影展
✧2025 高雄電影節
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作為工廠夜班保全,阿邦算是喜歡自己的工作,畢竟收工後的廠區除了宿舍裡的外籍女工偶爾需要他的幫忙,還能出什麼大事?一切都在他的掌握中。巡邏、拍照、簽到,輕輕鬆鬆,甚至偷懶睡覺也不會有人知道。
就是有些無聊,有些寂寞⋯⋯
In southern Taiwan, a night-shift factory lies quiet like a ruin. Machines stilled, lights flickering, time caught in a moment—unmoving, unresolved.
A-Bang, a weathered middle-aged Taiwanese man, patrols, takes photos, signs in—holding on to a semblance of order, especially when migrant women, slipping through stillness, bring their small requests to him, the LOCAL.
Director
薛文碩
畢業於世新大學廣播電視電影學系電影組。2018年《第一廣場》獲得高雄電影節國際短片競賽臺灣學生獎,金穗獎首獎及最佳導演等肯定。
Hsueh Wen-shuo, a Taiwanese filmmaker born in 1994.
His short film, Lovely Sundays, won the Grand Prize and Best Director Award at the 2019 Golden Harvest Awards, as well as the Taiwan Student Award at the 2018 KFF International Short Film Competition.
單場購票連結
穿梭於異鄉人間的異鄉人
2018年,我開始拍攝我的第一部短片,探討在台菲律賓移工的故事。
過程中,我發現一群台灣的中年男性常駐在專屬於菲律賓人的舞廳,他們用拙劣的英語和舞步試圖吸引菲律賓女子的注意。
他們說:「因為台灣的女性不會跟我們交往。」這些社經地位較弱勢的男子認為自己在台灣交友市場中不受重視,於是將目標轉向來台的移工女性。對他們來說,在這些移工女子面前,好像自己更像個「男人」。
這個現象啟發我重新思考「族群」和「認同」的議題,也促成了這部影片的創作。
A Foreigner Among Foreigners
In 2018, while working on my first short film, a story about Filipino migrant workers in Taiwan, I stumbled upon a captivating scene: a group of middle-aged Taiwanese men who exclusively frequented dance halls for Filipino women. They danced alongside the migrant workers, using broken English and awkward moves in an attempt to attract Filipino women.
“Because Taiwanese women won’t date us,” they explained to me. These men, who came from a more disadvantaged socioeconomic background, felt like losers in Taiwan’s dating scene. They felt overlooked or unwanted by Taiwanese women, so they turned their attention to female migrant workers. In their minds, blue-collar migrant workers were considered a lower social class. Therefore, in front of these women, these men felt more confident, more like “real men.”
This phenomenon intrigued me deeply. It sparked new ideas about “belonging” and “identity,” which ultimately led me to create this film.
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