屋舍上的葉仔花
葉治芳
臺灣 Taiwan|2025|紀錄 Doc|彩色 + 黑白 Color + BW|30 min| 中文、客家發音Mandarin, Hakka
✧2026 金穗獎 最佳學生紀錄片、最佳剪輯
✧2026 青春影展 影視類首獎
✧2026 曼谷國際學生紀錄片影展SDOC BKK 首獎
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九重葛,客語唸作葉仔花。
回到老家,雞舍上依舊爬滿歲月沉積的葉仔花,與年少離開時並無二致,那是爺爺生前種下的。隨著時間,家人年華老去,一個家族逐漸走向凋零,我與奶奶學習著客家話,如同翻閱一本遺失的家譜,從他們的話語、過去的相片與斑駁的牆面之間,逐漸拼湊家族與自我的樣貌。
Returning to the ancestral home his grandfather built for the family, the eldest grandson finds no trace of his own childhood. Through the rhythmic cadence of his grandmother’s Hakka, he begins to reclaim his identity—stitching together a family history from old photographs and the stories that survived.
Director
葉治芳
電影、紀錄工作者,現就讀台灣藝術大學電影學系碩士班。過去常參與廣告、劇情片拍攝,近年涉足紀錄片領域,題材常關注性別、家庭與人文議題。2025年短片《屋外長滿了草》入圍雅加達 Arkipel 國際紀錄與實驗影展。
Filmmaker, currently pursuing an MFA in Motion Pictures at National Taiwan University of the Arts (NTUA). His last documentary short, Mother’s Words has been selected for the Arkipel International Documentary and Experimental Film Festival in Jakarta.
單場購票連結
當我久違地回到老家,奶奶開始和我交代起自己的後事,要我照顧好爸爸、幫忙祭祀活動。在整理爺爺的遺物時,翻出了一大箱塞滿的家族相簿,裡面卻毫無自己的蹤影。為了探索自己與家的關係,以及究竟如何算是一家人,我開始紀錄,也開始與奶奶練習客家話。
My grandmother’s voice, speaking of her final wishes, and a collection of family photos where I do not exist—these are the starting points of this film. It is an exploration of the gaps in memory and the essence of kinship. How do we claim our place in a lineage that has no visual record of us?
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