離開即景
陳淦熙
臺灣、香港 Taiwan, Hong Kong｜2026｜紀錄 Doc｜彩色Color｜82 min｜粵語、中文發音 Cantonese, Mandarin
✧2026 台灣國際紀錄片影展 台灣競賽 首獎
✧2026 台灣國際紀錄片影展 再見真實獎 入圍
2019年香港歷史性的風暴中，導演在赴台求學前一個月，因一則來自父親的消息，被無限期滯留在當下。隔年香港疫情封城，身在台灣的導演與留港父親展開漫長的Skype對話，沈默的鏡頭中滾動著巨大的憂傷與說不出口的困惑，穿越破碎的創傷記憶，兩個倖存的男人，試圖笨拙地觸碰彼此陌生而糾結的心。
During the turmoil of 2019 Hong Kong, before pursuing his studies in Taiwan, the director was abruptly frozen in the present by a message from his father.
As Hong Kong entered a pandemic lockdown, the director, now in Taiwan, began to Skype call his father, unpacking his traumatic memories and their entangled hearts.
導演
陳淦熙
陳淦熙畢業於香港演藝學院及北藝大導演碩士。作品《若男》獲香港鮮浪潮大獎、《三步》入選台北電影節、《念你如昔》獲桃園電影節評審團獎。2025年以紀錄長片《揹笭的粉鳥》獲CCDF本土題材特別獎及公視支持。
Ray Kamhei Chan is a filmmaker working across fiction and documentary, based between Hong Kong and Taiwan. His work focuses on domestic violence and single-parent families through a restrained artistic approach. By confronting unspoken familial wounds and everyday forms of pain, his films reflect on inherited trauma, emotional survival, and the quiet desire to step outside one’s origin and its recurring cycles.
單場購票連結
年少的我痛苦，以至於希望所有離別都成為永別，用薄情與果斷來保護自己。成年的我開始學習好好生活，發現痛並不會因為逃離而消退，它只會換一種方式留在我身上，我猜愛也是一樣？疼痛逼迫我回望自身的情感、記憶與試圖反覆追問——我是怎樣走到這兒？ 我要怎麼活下去？
這是我拍攝這部片的原因，一個家庭幸存者的手記。我發現家庭的每道痛似乎都曾有個溫柔的開端，但這些溫柔不一定能成為和解的靈藥。我希望為那些像我一樣花了許多年封閉自己以避免痛苦的人，創造一個可以呼吸的空間。如果你在這個故事裏看見自己，那麼也許我們並不孤單。
Most of my youth was lived in pain, so much that I wished every farewell could be eternal, and protected myself through detachment. As an adult, I began learning how to live, only to realize pain does not disappear, but simply takes another form. I suspect love may be the same. Pain pushed me to my own emotions and memories, asking: How did I end up here? How do I go on?
This film is a survivor’s journal of a family, and tender might not comfort all wounds. I hope to create a space to breathe in for those who have spent years closing themselves off to avoid pain. If you see yourself here, perhaps we are not alone.
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