你不在這個蛋糕裡
陳亭叡
臺灣Taiwan｜2025｜動畫 Ani｜彩色 + 黑白 Color + BW｜4 min｜中文發音 Mandarin
✧2025 London Breeze Film Festival, London
✧2025 London International Animation Festival, London
✧2025 Sunday Shorts Film Festival, Portugal
✧2025 Taipei International Golden Short Film Award, Taiwan
✧2025 33+ MixBrasil Festival, Brazil
✧2026 London Short Film Festival, London
✧2026 The Brussels Animation Film Festival, Brussels
✧2026 British Shorts Film Festival, Berlin
✧2026 Kaboom Animation Festival, Amsterdam and Utrecht
✧2026 Stuttgart International Festival of Animated Film, Stuttgart
✧2026 Tricky Women Tricky Realities International Animation Film Festival, Vienna
✧2026 Vienna Shorts 23rd International Short Film Festival, Vienna
✧2026 Annecy International Animation Film Festival
故事內容為主角在經歷多次恐嚇之後，決定在女友爸爸六十七歲生日時將他殺害並做成一個蛋糕。主角、女友、女友爸爸三人之間的關係在這場殺戮儀式上糾結、無可避免地互相映射。
A girl, Ping, faces conflict with her girlfriend Lala’s homophobic and aggressive father. As tensions escalate, Ping is forced to take action to save herself and kills him.Then she makes him into a cake. This act becomes a ritual of transformation—a severing of ties, a step into a new phase of life.
導演
陳亭叡
臺南人，現居倫敦，在廚房惡搞動畫，在公園跳舞。
擅長用詼諧的影像節奏處理嚴肅的話題，俗稱打岔型人格，喜好描繪現實下不知所以然的平行時空，媒材不限。她的作品旨在呈現人心中揮之不去的「癢」，像被蚊子叮一樣微小，卻使人難以忽視。透過她的鏡頭，故事總在意想不到的地方悄然浮現。
Ting-Jui is an animator and illustrator from Taiwan, currently based in London.
Her work draws deeply from personal experience, exploring complex themes such as relationships, philosophy, and religion. Blending heavy subjects with a touch of humour, she uses a variety of techniques and mixed media to evoke feelings that are as strange as they are familiar. Her work aims to create a lingering emotional “itch” in the viewer—like a mosquito bite—small, but impossible to ignore. Through her lens, meaning emerges where you least expect it.
破碎肖像的來回凝視構築出如鯁在喉的秘密；本片精良設計，將多年搬演的話語濃縮成五分半的低語呢喃，短促且極具力量。是位未來無法忽視的動畫創作者。
這個故事靈感自於前女友恐同爸爸的恐嚇電話。我想把當時的情緒視覺化，以黑色幽默的手法作出一部關於復仇的故事。
This story draws inspiration from my experiences with the homophobic father of my ex-girlfriend. I wanted to channel my emotions from that time into a tale of revenge, framed with a darkly humorous perspective.
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